Köln, Germany

mk/KLm, Spellbound and TIR Danza visiting ehrenfeldstudios e.V. in collaboration with incompany

20 > 23.04.2022 | Köln, Germany

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a visual journal

created by Daniele Spanò

program of the visit

21.4 > Visit to nrw landesbuero tanz e. V. + dance archive + workshop at ehrenfeldstudios e.V.

22.4 > TanzFaktur + workshop at ehrenfeldstudios e.V.
(workhsop: a professional encounter between 18M8L partners and professionals from ehrenfeldstudios)

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Section curated by

Mariagiovanna Esposito

Mariagiovanna is a choreographer, dancer and dance teacher. She studied at the National Academy of Dance and expanded her training in Belgium, with an eye turned more towards improvisation techniques.
In 2018, she is co-founder of the Associazione Culturale Croma of which she is the director of artistic and educational projects. She obtained a Master’s Degree in Management of Cultural Enterprises and has worked in the organization of Festivals.

Silvia Parlani

Graduated in Performing Arts and the Science of Performance at Rome University, she obtained a Master degree in Economics of Culture at Torvergata. Since 2017 she works for Short Theatre as box office coordinator. She worked with Teatro di Roma during Buffalo and as logistics collaborator for the youth festival Contemporaneo Futuro. Currently working as coordinator for the companies: mk, Muta Imago and Deflorian/Tagliarini.

Daniele Spanò

(Rome 1979) after his studies on set design, Daniele started to work as a director and visual artist, especially in the field of performance and video art in which he carries out a profound research and experimentation.
Among other pjojects, he collaborated with Romaeuropa Foundation, Takeshi Kitano, and was curator of DigitaLife at La Pelanda museum. He collaborates with Luca Brinchi with whom he realizes virtual sets for numerous theatrical shows.

Silvia Albanese

Silvia Albanese is a creative producer, semiologist and communication strategist. She collaborates with artists, festivals, theaters and networks in the field of contemporary dance, performance and research theater. In her practice of development and creation of projects she combines strategic and productive skills with humanistic and relational ones, encouraging the creation of new “on-life and on-line” formats in the local and international contexts.